Modern Italian glass

The 20th–century renaissance of Murano glassmaking was not wholly reliant on updated versions of old techniques. The prevailing climate of creativity threw up many original forms and decorative treatments that peripatetic workers and designers helped to inseminate between competing factories. One of the key ingredients was color, and vivid hues predominated, most frequently used in crystal–clear transparent glass to catch the light better.

More in History Of Glass

Antique Glass	Roman Gold glasses	Blowing glass
Russian glass manufacturing	Stained glass	Enameled glass
Enameled and Gilded Glass from Islamic Lands	Milchglas	Schwarzlot
Gilded glass	Colored glass	Cranberry Glass
Engraved and cut crystal — Glass from famous Czech cutters and engravers	Enameling glass	Murano glass
Incalmo glass	Millefiori glass	Pulegoso glass
Filigrana	Cameo glass	English Cameo Glass
Galle	Daum	Delatte
Muller	deVez, Mont Joye, and Pantin	Legras
Le Verre Francais	D'Argental, Richard and Arsall	Baccarat, Saint Louis, and Val Saint Lambert
D. Christian Meisenthal, Vallerysthal, and Burgun and Schverer	Schneider	Kosta, Reijmyre, and Hadeland
Marcel Goupy	Others	Pressed glas
Acid-etched glass	Crackle glass	Ice glass
Brilliant cut glass	Flashed and cased glass	Iridescent glass
Carnival glass	Tiffany	American glassmaking
Modern American glassmaking	Lalique	Bohemian glass
Riihimaen Lasi Oy glassware	Kaj Franck	The Graal technique
Textured glass	Glass as sculptural art	Vicke Lindstrand
The Zanfirico technique	Modern Italian glass	Sommerso glass
Venini	The Fazzoletto vase	Blenko glass
Dale Chihuly	Clearly optical	Kiln forming and casting
Float glass	Triplex

POG / Resources / History Of Glass / Modern Italian glass